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The Current

The Student News Site of Brookdale Community College

The Current

The Student News Site of Brookdale Community College

The Current

1966 French Film Offers Powerful Message To Modern Audiences

1966 French Film Offers Powerful Message To Modern Audiences

About 30 people filled MAN 103 at 7 p.m. March 27 to view, “King of Hearts.” This 1966 film directed by Philippe de Broca is a charming and interesting anti-war movie set during World War I.
The story unfolds in a quaint French town abandoned by its residents in anticipation of a German attack.
Enter Private Charles Plumpick (Alan Bates), a Scottish soldier tasked with defusing a bomb left behind by retreating German troops.
What makes this film unique is its great setting, a town inhabited solely by patients from the local asylum who have taken on the roles of the townsfolk.
Led by the affable Marquis (Jean-Claude Brialy), they crown Plumpick their king, believing him to be the long-awaited Ruler of Hearts. .
The vibrant cinematography enhances the whimsical atmosphere, making for a visually striking experience.
At the film’s heart, “King of Hearts” is a poignant exploration of the senselessness of war and the resilience of the human spirit.
Through the inmates’ antics, the film delivers an extremely powerful message about the transformative power of compassion and empathy.
Despite their mental illnesses, the inmates exhibit a deep understanding of humanity, offering a stark contrast to the destruction wrought by World War I.
Alan Bates delivers a compelling performance as Plumpick, portraying his journey from confusion to enlightenment amidst the chaos of battle.
Jean-Claude Brialy shines as the charismatic Marquis, adding humor and warmth to the narrative. “King of Hearts” is a timeless gem that resonates with audiences of all ages.
Its message of peace and love in the face of adversity remains as relevant today as it was upon its release in 1966.
With its captivating storytelling and profound themes, “King of Hearts” rightfully earns its place as a classic of French cinema.

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